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The 100 all-time political party songs ever fabricated
Put the all-time party songs on your celebration playlist and yous're guaranteed a body-moving dance explosion
We didn't realise quite how much we missed parties until we were able to have them once again. Seriously, is at that place a better feeling in the entire world than dancing in a society – or your kitchen – with a load of people who are also fix to lose information technology when they hear 'Like a Prayer' or 'Wannabe' or 'I Wanna Dance with Somebody (Who Loves Me)'? If you want everyone at your party to join in, you lot have to err on the side of familiarity: if none of your guests will know a vocal, it doesn't make information technology onto the playlist. Finish of.
So, you become the snacks, we'll bring the hot tracks: this playlist of archetype party tunes is sure to get everyone moving in an explosion of joyful, fevered dancing. There are some pop favourites, a few karaoke classics, and some all-round happy songs. The beats are nonstop and the grooves are infectious. Hitting play on these bangers and you're guaranteed to get in the party mood wherever you are.
Listen to these songs on Amazon Music
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Best political party songs of all fourth dimension
1. 'Like a Prayer' past Madonna
A truly smashing political party has to take drama, and who better to provide this than the Queen of Pop, Madonna. Indeed, there was drama around 'Like a Prayer' even before the single came out in 1989—remember that Pepsi ad campaign? And then in that location'southward the vocal itself: jags of electric guitar followed by a huge, cavernous drum thwack. A waft of angelic choir singing. And so: 'Life is a mystery / Anybody must stand alone / I hear you telephone call my name / And information technology feels like…'—wait for information technology—'Home.' And lo, the drumbeat kicks in and we're thrust right into the chorus.
'Like a Prayer' is a crazy, outlandish, imaginative, absurd song, which makes its success as a trip the light fantastic-flooring filler all the more ridiculous and wonderful. Add together in a dollop of worldwide scandal, objections from the Vatican and the sickest gospel coda ever to feature in a pop song—and you have the greatest party vocal ever recorded. Ladies and gentlemen, nosotros thank you.
two. '1999' by Prince
'If you didn't come up to party, don't carp knockin' on my door,' the diminutive Minneapolis genius alleged in i of the earliest blockbuster hits of his purple reign. Like Orwell's 1984 and Kubrick's 2001, Prince'south '1999' is less a sell-past appointment than a declarative prediction fabricated timeless by persuasive art. Information technology isn't possible to party similar it'southward 1999 every unmarried fourth dimension – hey, we're only homo – but this vocal volition become fifty-fifty the dullest nuptials disco popping.
3. 'Single Ladies (Put a Ring on It)' past Beyoncé
If yous weren't already a member of the Beyhive, this 1 surely got you hooked. Information technology's an anthem for single ladies everywhere, yeah, only an infectious trip the light fantastic toe number for all. Come up on, who can resist that chorus or trying to copy those Fosse-inspired dance moves? This song has '...one of the best videos of all fourth dimension' co-ordinate to Kanye West, and pretty much everyone else likewise.
four. 'Gonna Make You Sweat' by C+C Music Mill
'Everybody, dance now!' So goes this song'due south yelled refrain, and we'll wager you'll have a hard time not shaking what your mama gave you when the beat kicks in. Masterminded by American production duo C+C Music Manufactory (David Cole and Robert Clivillés), 'Gonna Make You Sweat' paved the style for a slew of chart-friendly house hits in the early '90s, and made wearing cycling shorts okay. Rejoice!
5. 'Call Me Maybe' past Carly Rae Jepsen
For anyone who's e'er relished the succulent longing of a summertime trounce (that'southward all of you lot, then), Canadian popstrel Carly Rae Jepsen crowned summertime 2012 with this perfect pop anthem. The song inspired parody covers from Justin Bieber (who 'discovered' the track), Katy Perry and the U.S. Olympic Swim Squad, among about a billion others.
6. 'Hey Ya!' past OutKast
OutKast'south future seemed uncertain in 2003 when the acclaimed Georgia duo of André 3000 and Big Boi appear the release of 'Speakerboxxx/The Love Below'—less a new group album than a pair of conjoined-twin solo sets, with each member making token appearances on the other's disc. But critics were silenced by the irresistible unmarried 'Hey Ya!' A limber funk bassline, a paw-clapping refrain and a simple, unforgettable chorus made this André 3000 vehicle dance-flooring catnip, fifty-fifty before you saw the deliciously daffy music video.
7. 'Poison' by Bell Biv DeVoe
Bop bop-bedop bop-bedop-bedop pw! If there'due south a more indelible pulsate sample than that ane that leads off this 1990 marvel, nosotros've yet to hear it. The melody that follows is a clinic in new-jack-swing excellence, a archetype caveat-emptor tale concerning an irresistible femme fatale ('cut', as it were, 'like an Afro'), ready to a staccato shuffle beat and crowned with that heavenly Ricky Bell claw. Yes, pure dance-floor venom.
eight. 'Rock with Yous' past Michael Jackson
MJ's hits grew increasingly difficult-edged equally he entered the 'Bad' zone, merely earlier triumphs—like this 'Off the Wall' masterpiece—still feel almost impossibly cushy, like easing onto the plushest sofa imaginable. Information technology's a prophylactic bet that Daft Punk had the ultra-luxurious disco groove of 'Stone with You' in mind when they crafted 'Get Lucky': strings, horns that perfectly calibrated tempo and those irresistible come up-ons from the futurity King of Pop. This one is pure class.
9. 'Button It' by Salt-N-Pepa
Y'all're non just encouraged to trip the light fantastic toe during this jam, ane of the all-female rap coiffure's first and biggest hits; you're actually ordered to hit the dance floor and work upwards a sweat. Given the song's thumping beats, it'southward pretty much impossible to ignore that asking. (We'll ignore the ruling from Hurby 'Luv Bug' Azor, who guests on the song, that pushing it is 'only [for] the sexy people.')
10. 'Party Rock Anthem' by LMFAO
There'due south something cute about the purity of EDM-rap duo LMFAO'south music. Words similar 'witting' or 'progressive' or 'future' exercise non use here – at all. They take fun. Y'all have fun. We all take fun. This song hinges on the phrase 'Every day I'g shufflin,' for Christ'south sake. Don't overthink it. Relax, raise a glass, and heed their request to 'just have a good time.' Australia certainly did: there, it'south the eighth all-time-selling song of all time.
11. 'Uptown Funk' by Mark Ronson ft. Bruno Mars
How many times tin can you listen to this song before it gets old? It never does. This collaboration betwixt Bruno Mars and Marker Ronson was their fourth, and it took off similar wildfire. It continues to set trip the light fantastic toe floors afire with its funky grooves, putting everyone in the mood to dance – and channel 'Michelle Pfeiffer / That white gold'.
12. 'Groove Is in the Heart' by Deee-Lite
In this tale of the annihilation-is-possible East Village of the tardily '80s, a trio of candy-coloured club kids—Super DJ Dmitri, Lady Miss Kier and Towa Tei—decide to form a ring. The threesome (with a little assist from ringers Q-Tip, Maceo Parker and Bootsy Collins) come up upwards with 'Groove Is in the Heart', a sweetly innocent percolator of a tune that, against all odds, becomes the worldwide club smash of 1990. True story!
13. 'Got to Be Real' past Cheryl Lynn
The opening horn riff of Cheryl Lynn's starting time and best-known single is so certain to trigger a flood of dopamine in your brain, it could rightly be described as Pavlovian. What follows is a headlong autumn into disco heaven—ane that no ane was in a hurry to go up from: The tune reappeared on the U.K. Singles Chart in 2010, more 30 years after its release. It'due south likewise been embraced as a bona fide – and utterly joyous – LGBTQ+ anthem.
xiv. 'Wake Me Up Before Yous Go-Go' past Wham!
Some parties are cool. Some have gimmicks. Some mark a special occasion. But the very best parties accept a feeling of unbridled joy to them, and this 1984 hit from Wham! is a 100% proof distillation of the smiley stuff. It is, of form, utterly ridiculous, from the opening 'Jitterbug!' intro, to George Michael'due south white trousers and 'Choose Life' T-shirt combo in the video. But sweet Lord, those high notes, the slap bass and that contumely breakdown! Too good.
15. 'Gangnam Style' past Psy
The least likely delinquent boom of all fourth dimension? With a video that'due south now racked upward more 4 billion views, Psy is without question a juggernaut-size quirk complete with his natty couture and pony-gallop signature dance. Still, he could hardly fail with this song'southward thumping beat out and 'hey, sexy lady' refrain. Simply vivid.
16. 'The Ability' past Snap!
'The Ability' might be most famous as a snippet in service of jock jams, just the tune is a force: Information technology's a paranoid, rushing affair, anchored by the appropriately named American emcee Turbo B. His rhymes simply take the silverish when compared to Jackie Harris'due south cries of 'I've got the power!' Nostalgic, yes, merely still alive enough to get the crowd ultra-pumped. Oh snap!
17. "Pump Up the Jam" past Technotronic
Ceaseless utilise of the word booty, a driven 4-on-the–flooring drumbeat and a psychedelic music video featuring divas in neon spandex suits spinning similar propellers. It's no wonder "Pump Upward the Jam" became a massive striking in 1989, pretty much kick-starting the mainstream hip-house movement. Who could resist those insouciant vocals (supposedly uttered by Congolese model Felly Kilingi), littered with slang phrases that you haven't heard in at least 15 years? Also annotation: Pump up the jam became a slang term for masturbation in Flemish. The more you know, people.
18. 'U Can't Touch This' by MC Hammer
If you want to plow your ego-boosting novelty tune into a trip the light fantastic toe-floor awareness, you can exercise far worse than to offset with an already-proven funk blast like Rick James'south 'Super Freak' as your backing track similar Stanley Kirk Burrell did. The official video seals the deal: Even Hammer's baggy trousers scream conviction.
19. 'Infant Got Back' by Sir Mix-a-Lot
Pure comedic genius isn't exactly what comes to mind when thinking about early '90s rap, but controversy sure is. Sir Mix-a-Lot's love alphabetic character to circular behinds was—to the Tipper Gore crowd—super sexual filth. Merely information technology'south a subversive, tongue-in-cheek send-up of the hip-hop lifestyle: a Black man'due south analogue to Spinal Tap's 'Big Bottom.' It was even prescient: How many 'serious' rap videos followed with tight shots of the bottom half of curvy ladies? Most take a favourite line from the cut, Mix-a-Lot'southward euphemisms and analogies rolling off the line like the Barbies he laments. 'Baby Got Back' was the second best-selling song of 1992. The No. i slot went to quite a different display of amorous intentions: Whitney Houston's 'I Will Always Beloved You lot.'
20. 'Relax' past Frankie Goes to Hollywood
Frankie'due south 1983 debut single didn't just spawn an iconic T-shirt – information technology too became one of the decade's most transcendent gild hits. Most 40 years later, it remains a hypnotically stiff combination of How-do-you-do-NRG dance-pop and swaggering disco-stone that hits the spot whether you realise Holly Johnson is singing well-nigh gay sexual practice or not. It's a banger that adds seize with teeth to any party.
21. 'I Beloved Information technology' past Icona Popular
Though information technology was a sweaty, coke-fuelled, boobs-flying-every-which-style scene on Lena Dunham'sGirls that bulldozed the Swedish duo's synthed-upwards jam to the top of the charts, it's been a dance-floor starter since its release in early 2012. Crank it up and shout, 'I crashed my car into the bridge / I don't intendance!' at the pinnacle of your lungs for ultimate DGAF revelry.
22. 'Kiss' by Prince
The omnisexual twirls and splits Prince busts in the official video for this sleek 1986 jam might catechumen the nigh hardened disbeliever, but honestly, he had us at the tingly guitar licks, the tighter-than-a-duck's-donkey beat and the instantly memorable chorus: 'Yous don't have to be rich to be my daughter / You don't have to be cool to dominion my world.' You don't believe him, of course—but you want to.
23. 'Dancing With Myself' past Baton Idol
This song was originally written and recorded by Generation X, the punk foursome fronted by Billy Idol, before he remixed and re-released the track as a solo endeavor in 1981. It was a smart move, considering nothing is quite and so foolproof every bit a song about dancing alone (From Robyn to Whitney, it's pretty much a power-pop lay-up.) After all, at that place's not one among us who hasn't felt the ache of loneliness on the dance floor. Thankfully, with a song as universally beloved as this, information technology's pretty well guaranteed you'll never fly solo.
24. 'California Beloved' by 2pac
Simply out of prison and newly signed to Expiry Row Records, California rapper 2pac was in demand of a comeback hitting, and he constitute 1 in 'California Love'. Produced by Westward Declension beat overlord Dr. Dre, it was one of the most successful songs of 2pac'due south career, and left no dubiety in anyone'due south heed that California about certainly knew how to party.
25. 'Milkshake Information technology Off' by Taylor Swift
Taylor speaks words of gleaming truth on this 2022 blast, which suggests the all-time way of dealing with life'south haters is to permit loose on the trip the light fantastic toe floor. 'It's similar I got this music in my heed /Sayin' information technology'southward gonna be alright,' she sings on the pre-chorus, and when this accented bop comes on, you'll feel exactly the same.
26. 'Tik Tok' by Ke$ha
If y'all need to rev up the dance political party, look no farther than the blonde popular queen'south debut single. On this 2009 banger, Ke$ha's calendar is uncomplicated and straightforward: Get ready with the girls, mingle with the dudes, pound the Jack Daniels, don't sleep until the sun comes up. Rage on, yo.
27. 'Yeah' by Usher
This may exist an Usher song, but it bears the unmistakable mark of inimitable Southern rap don Lil Jon. And not just because the hook hinges on one of Jon's signature outbursts; he besides produced the rail, crafting a seamless blend of crunk and R&B that came to exist known as "crunk&b." Velvet-voiced rhymesmith Ludacris too lends a verse, cementing this tune's status as an eternal party starter.
28. 'Hella Good' past No Doubt
Gwen Stefani dropped her go-to quirky and emo poses on this 1, in the process outing herself as a seriously badass trip the light fantastic toe-floor commando. Information technology didn't hurt that she got a writing help from Neptunes' Pharrell Williams and Chad Hugo, or that the band chose to pb off with a spiffy homage to the ever-mortiferous 'Billie Jean' beat. You'll detect snarly guitars, a bangin' drum fill or two, and other subtle nods to No Incertitude's alt-stone pedigree, merely in the end, this is simply an early-aughts update on what the Parliament crew liked to call 'uncut funk'. And that's why it still slaps.
29. 'SexyBack' by Justin Timberlake
'I'm bringing sexy back', erstwhile Mouseketeer and male child-ring escapee Justin Timberlake declares at the start of his 2006 single, making the example that he'd grown upwards more than frankly than a you-know-what in a box. Add Timbaland's slinky groove to Timberlake'south come-hither 'tude, and your post-dance-flooring destiny is unquestionably horizontal.
xxx. 'Oh Yeah' by Yello
How practice you lot turn a six-year-old Swiss cult deed into an overnight sensation? Add together Matthew Broderick, manifestly. 'Oh Yeah'—with its altered vocals and driving pulse—wasn't so different from enough of previous singles by this oddball electronica duo, but when it was cleverly used in John Hughes'southward 1986 comic masterpiece, Ferris Bueller's Twenty-four hours Off, information technology became ubiquitous.
31. 'Nasty' by Janet Jackson
'I could learn to similar this', Janet Jackson announces over the hammer-accident shell of the second single from 1986's 'Control', a announcement of independence and attitude. 'Who's jammin' to my nasty groove?' she demands while stomping and twisting through Paula Abdul's choreography in the video. We all are, Miss Jackson, nosotros all are... fifty-fifty 36 years later.
32. 'Impenetrable' past La Roux
1 of the biggest hits of 2009 was an unexpected ane: the third unmarried from the British duo's eponymous debut album. Undeniably catchy and fun, 'Bulletproof' bathes in a cross-appeal bolstered by singer Elly Jackson's swagger-laden vocals and 1980s popular-synth muscle. When it's on, dancing is non optional.
33. 'Just Dance' by Lady Gaga
No list of party songs would exist complete without a caput nod to the woman who redefined dance-pop music in the late aughts. Trip the light fantastic parties merely weren't the same before Lady Gaga took the music industry by tempest with 'But Dance', the debut single off of 2008's 'The Fame'. Reportedly written in just 10 minutes, 'Just Dance' captures that perfect mix of innocence and craziness that makes people want to cut loose and swoop into the madness of the dance floor.
34. 'Hips Don't Lie' by Shakira
From its opening bars, this 2006 jam gets it right, appropriately heralding the archway of Colombian pop royalty with a fanfare of trumpets. Few are able to meld a savvy claw and a globally-influenced vanquish as seamlessly as Shakira, which she does here with a salsa sample, a reggaeton pulse and a bilingual assist from Wyclef.
35. 'California Gurls' past Katy Perry
Katy Perry and Snoop Dogg's 2010 megahit reaffirms the indisputable truth established by Tupac in the mid-'90s with 'California Dearest': 'California… knows how to party.' Yep, as the frosting-expelling pop star confirms in this ode to summer fun, the Golden State is the all-time place for bikinis, beaches and baking in the sunshine. Only its advised beat would whip a trip the light fantastic toe floor into frenzied energy anywhere in the world.
36. 'Nosotros Found Love' by Rihanna
A collaboration between Scottish electro house kingpin Calvin Harris and pop superstar Rihanna, "We Constitute Dear" is a perfect storm of massive club sounds and soaring pop hooks. An irrepressible blend of euphoria and despair, the tune sat atop the Billboard Hot 100 for x non-consecutive weeks, establishing it as RiRi's longest running number-one single.
37. '(You Gotta) Fight For Your Correct (To Political party)' by Beastie Boys
The Beastie Boys' breakout striking was originally meant to poke fun at the drunk antics of meathead political party boys, but information technology ultimately became one of the outfit'southward all-time-known anthems. Given the song's expert blend of brazen, juvenile raps and chunky guitar riffs, it's not hard to see why. Although, years afterward, Adam Yauch, a.g.a. MCA, famously cautioned, 'Be careful of what you make fun of or yous might become it.'
38. 'Trap Queen' by Fetty Wap
The music industry took a minute to catch air current of Fetty'south earworm-motorcar potential, just once net virality took hold a year after the original release of 'Trap Queen', the rise was cipher brusque of meteoric. This sensitive and soft-hearted love song has speedily turned into a quintessential summertime classic—no (trap)house party is complete without it.
39. 'Stayin' Live' past Bee Gees
No matter how late it gets, what improve way to keep the party going than the supremely uncool cool of the Bee Gees? With that ultra-funky bassline and the Gibb brothers' falsetto harmonisation, the magnetism of 'Stayin' Alive' will make any party feel like the aureate age of Studio 54. So pop open that tiptop button and grit off your disco moves as y'all surrender to the groove.
xl. 'Let'south Go It Started' past The Black Eyed Peas
'We got five minutes for united states to disconnect / From all intellect / Collect the rhythm effect.' Will.i.am'due south opening lyrics pretty much sum up the sentiment of the Black Eyed Peas' striking single, taken from their 2003 album 'Elephunk'. 'Permit'southward Become Information technology Started' is a pure and simple party alarm, letting folks know it's time to get upwards and moving.
41. 'Beat Information technology' past Michael Jackson
Few songs are as immediately recognisable as Michael Jackson's 1983 nail 'Beat It'. Those haunting opening synth hits are but anomalous plenty to put the listener on border, baiting them to stay with information technology, like the entrance music for a professional wrestler. And then that driving guitar riff comes in similar an uppercut to the jaw, followed by MJ's opening line, 'They told him don't yous e'er come around hither / Don't wanna encounter your face, you better disappear.' 'Beat It' has a unique assailment that not only triggers those key, competitive instincts, merely also makes you lot want to dance your ass off and sing at the elevation of your lungs.
42. 'What'd I Say' by Ray Charles
Yeah, aye, it's over 50 years sometime and your grandparents might've made out to it. But good gosh if this isn't ane of the sexiest, wildest songs on this listing. It starts out pretty civilised, with that unmistakable keyboard intro, and lickety-split cymbal beats. So Ray starts singing almost lovin' you all dark long with wicked intent, the contumely starts upwards, the bankroll singers bring together in, and you take one hot, fine mess.
43. 'Express Yourself' by Madonna
No song captures the essence of Madonna's iconography quite like 'Express Yourself', a girl-power pep talk delivered in an amped-up version of funky 1970s soul. Its unprecedentedly lavish video—directed past a pre-7 David Fincher in an appropriately Expressionist fashion—embodies Madonna'south defining persona as a fiercely sexual chameleon. One minute she's the dominate lady in a power adapt and a monocle, grabbing her crotch like a butcher version of Michael Jackson; the next, she'southward crawling on all fours and lapping a bowl of milk. Even when she'south literally in bondage, neither the video nor the vocalist leaves whatsoever doubt as to who's in accuse.
44. 'Get Lucky' past Daft Punk
This hugely anticipated (not to mention hyped) comeback single from Daft Punk became the summer anthem of 2013. 'Become Lucky' finds the French duo switching its modus operandi from referencing classic disco music to really creating information technology: The single features (and was co-written by) Chic star and producer Nile Rodgers, and hip-hop mastermind Pharrell Williams—who, you may be interested to know, heard about the project from Daft Punk at a Madonna party.
45. 'Rehab' past Amy Winehouse
This 2006 single constitute the belatedly, great British soul vocalist Amy Winehouse at the peak of her talents, even as she sang near the depths of her despair. For her 'Back to Blackness' album, producer Marking Ronson teamed Winehouse with Brooklyn funk musicians the Dap-Kings, resulting in songs that are as groovy every bit they are night. 'Rehab' became Winehouse's signature unmarried, finding the iconic vocalist defiant to the end.
46. 'Celebration' by Kool and the Gang
As long as the good times go along going, so will the party, and nothing lights up a trip the light fantastic floor quite like a footling disco (mirror ball included). And so find yourself a potable and a partner—or rather, bring your laughter, besides—and toast the good times with this 1980 megahit.
47. 'Give Up the Funk' by Parliament
Where to showtime amid the booty-bumpers and rump-shakers bequeathed upon a grateful nation by Parliament-Funkadelic acid-funk overlord George 'Uncle Jam' Clinton? 'Flash Calorie-free', 'Bop Gun', 'One Nation Under a Groove'—we're spoiled for choice. This laid-back cut gets the nod for its mantralike vocals: When 'we want the funk' rubs against 'turn this mother out', the event is groove nirvana.
48. 'Own't As well Proud to Beg' by the Temptations
We're don't want her to leave either, dudes. The Temptations' 1966 Motown staple boasts a two-chord chorus that'southward ridiculously snapworthy. And David Ruffins'south tortured-however-sweet pb-vocal verses are perfectly suited for drunken sing-alongs.
49. 'Practise You lot Beloved Me' by the Contours
Ah, the sweet ecstasy of raw '60s soul music, as perfected on this 1962 hit, written and produced past Motown mastermind Berry Gordy. There are so many things to love, from the spoken-word intro—'Y'all bankrupt my center / 'Cause I couldn't dance'—to the explosive groove that hits as our narrator shows off his newfound dance-floor destroying skills: 'I tin mashed murphy! I can do the twist! Now tell me baby, practise you similar it similar this?' You desire more? How about a false catastrophe and surprise render? And of course, the vocal features in Dirty Dancing; 'Do You Love Me' is the number that's playing when Babe carries a watermelon beyond a writhing trip the light fantastic toe floor. Writhe on, kids!
fifty. 'I Got You (I Feel Good)' by James Chocolate-brown
James Brown may not have had the about graceful offstage persona, but the hardest working man in showbiz was a one-man party-starter. 'I Feel Skilful' is dance-floor dynamite, with its tight, funky groove, grinning-inducing chorus and that killer saxophone riff by Maceo Parker. Blast!
51. 'Tightrope' by Janelle Monáe
Like Prince earlier her and Bruno Mars soon subsequently, Janelle Monáe showed that she'd taken the lessons of James Brown to heart: not just with the piled-high pompadour, merely with the minimalist beat, sassy contumely, urgent bassline and, more than annihilation, the positively hypnotic urgency of her monotone verses on this 2010 R&B banger. Truly euphoric stuff.
52. 'Super Bass' past Nicki Minaj
Nicki was turning heads with riotous rhymes for a few years earlier 'Super Bass', but this was the track where she proved that her popular instincts were as sharp every bit her kiss-offs. The genius of the song is the mode it combines Minaj'due south signature loose-cannon loopiness—dig that sudden lapse into a cheesy British accent, or the 'Yes, I did; yes, I did' refrain—with a smashingly bubblegum chorus. Nicki, you've still got our heartbeats running away.
53. 'Hot Girl Summer' by Megan Thee Stallion
What'south a hot daughter summer? Well, regardless of the flavour, information technology's about doing your affair and not caring what other people call back. Megan Thee Stallion and her 2022 summer canticle embody that platonic. She brings the rut, and this song will make you want to just take a good time and non requite a damn. Put on this runway and everyone can experience like the life of the party.
54. 'Gilded Digger' by Kanye Due west feat. Jamie Foxx
We want prenup! Information technology's a testament to the sheer infectiousness of the biggest hitting from Ye'southward archetype 'Late Registration' anthology that this funny, whip-smart and completely unromantic song was a staple at wedding receptions in the mid-aughts. Seventeen years afterward it dropped in 2005, it remains absolutely blistering.
55. 'Mo Money Mo Bug' by the Notorious B.I.Grand.
Life didn't imitate, just rather predated, art when Brooklyn rap maestro the Notorious B.I.G. was gunned downwards months earlier the release of his No. 1 blast, 'Mo Money Mo Problems'. Brushing bated the rant, bravado and East-West feudin' that led to his untimely demise, we choose to focus on this undeniable fact: Large Poppa e'er got the party poppin'. On 'Mo Coin Mo Problema' he is ably assisted by 'Harlem World' rapper Mase and ubiquitous hype human Puff Daddy (in the days earlier Diddy), simply information technology's all prologue to Biggie's verse. And when Poppa implores u.s., 'Throw your rollies in the heaven / Moving ridge 'em side to side,' his power to unite the world under one outrageous all-nighttime bacchanalia becomes clear: Nosotros all—freaks and geeks, jocks and hipsters, suits and slackers, New Yorkers and Angelenos—know what to do.
56. 'In Da Club' by 50 Cent
Somewhen, every teenager reaches the historic period of feeling too absurd to sing 'Happy Birthday' on his or her big day. In 2003, 50 Cent filled the natal-commemoration void with 'In Da Lodge'. The now-iconic opening verse, 'Go shorty / It's your birthday / We gonna party like it's your altogether' makes "In Da Club" an obvious selection for any political party that serves shots instead of fizzy drinks.
57. 'O.P.P.' past Naughty past Nature
Naughty by Nature'due south hits accept become a fleck of an inside joke as of late, childhood memories of repetitively watching Hip Hop Hooray on MTV surging back into gimmicky existence. Simply 'O.P.P.' isn't merely irony catnip for thirtysomethings: Information technology's a fantastic hip-hop song, consummate with a Jackson five–sampled hook and ribald insinuations. (If y'all weren't hip to the New Bailiwick of jersey coiffure'due south inferences back in the day, surely the moans in the background tipped y'all off.) Arm me with harmony.
58. 'Thong Vocal' by Sisqo
No ane can exist held responsible for what transpires in the four minutes later the opening string melody of Sisqo'southward breakout single 'Thong Song'. Released in 2000, the ditty received multiple Grammy nominations and finer launched the R&B crooner'southward solo career. For a song about underwear that contains the lyric 'she had dumps like a truck', that's pretty impressive.
59. 'Higher Ground' by TNGHT
Fifty-fifty after its short-lived heyday, TNGHT remains one of electronic music'due south about potent contempo matchups. Bass luminary Lunice's society-rattling beats brand a viciously ferocious pairing with the recklessly maximalist synth-frenzy of Kanye-affiliated producer Hudson Mohawke. The single which launched them to trap-mainstay-status consists of just a few elements (a looping vocal sample, seismic 808 drums, and a stomping horn riff) but together they can brand a party sound undoubtedly enormous.
sixty. 'Started From the Bottom' by Drake
Drake is an enigma wrapped in a riddle wrapped in another enigma wearing sweatpants. On the one hand: multipazillionaire hip-hop star/ladies' man/Lil Wayne-BFF who curses a lot. On the other: makes super-meta, hilarious, on-point videos like this one from 2013, which mocks the very lifestyle information technology celebrates. Avert overheating your brain on conundrums like this by just turning your stereo up really loud, hitching up your depression-slung trousers and throwing some shapes.
61. 'Take on Me' by A-ha
Pop-idol pinups they may have been, simply the members of Norwegian trio A-ha besides made great, genuinely inventive music in their mid-'80s heyday. The jewel in A-ha's crown, of course, is the dazzling debut single 'Have on Me'. This synth-popular gem is chiseled similar a diamond, with a perfect keyboard riff and a melody that moves in and out of major keys just every bit singer Morten Harket'due south voice turns from desperate to hopeful and dorsum again. Add in the trailblazing blithe video, and 'Take on Me' became indelibly imprinted on the encephalon of anyone who saw it.
62. 'Wannabe' by the Spice Girls
Sure, in that location are probably 'better' Spice Girls songs – the disco update 'Who Practise You lot Think Y'all Are', the Motown tribute 'Stop' – simply this rollicking debut unmarried even so feels similar an electrical stupor to the soul. It's a fearless statement of intent from a feisty five-piece who rewrote pop'south rule book in the '90s by proving that girls could claim spaces traditionally occupied by the boys. If y'all were at that place, you lot'll still remember every word – correct down to 'Zigazigah!'
63. 'I Wanna Dance with Somebody (Who Loves Me)' by Whitney Houston
In the wake of Houston'southward tragic decease over a decade agone, we heard this immortal jam, more than than any other single past the pop queen, blasting at parties and bars, and it wasn't hard to meet why. A striking in 1987, 'I Wanna Dance with Somebody' embodies Houston as we all want to call up her: carefree, upbeat and bursting with exuberant emotion. The song itself embodies all those qualities and endures as a quintessentially '80s trip the light fantastic toe-flooring masterpiece for the ages. You can't not beam when this 1's on.
64. 'Here Comes the Hotstepper' by Ini Kamoze
Jamaican dancehall toaster Ini Kamoze burnt up clubs in 1994 with this irresistible groove, which has its roots in the 1964 Wilson Pickett hit 'Land of a G Dances'. Check that vintage video and you lot'll see from where the after single gets its naa na na na naahs. Still, 'Here Comes the Hotstepper' has its own laid-back, deliciously funked-up vibe, thank you to an obscenely fat bassline—not to mention the lyrics 'Actress-ordinary / Juice like a strawberry.' The song hit the pinnacle of the charts in the U.Due south. after beingness featured in Robert Altman's fashion ship-up, Prêt-à-Porter. All together, now: murderer!
65. 'Jump Effectually' by Firm of Pain
California hip-hop trio House of Hurting's international striking single was produced by Cypress Hill's DJ Muggs, who deftly used samples of rhythm and blues icon Chubby Checker and Motown staple Junior Walker & the All Stars. But never mind all that. Growing up, what was important most this song was what you lot did when you heard it. Forget the trunk roll and the butterfly, when 'Spring Effectually' comes on the speakers, it's time to mosh.
66. 'It Takes Ii' past Rob Base of operations and DJ E-Z Rock
Since 1988, this loftier-powered hip-hop jam from Harlem'south MC Rob Base and his turntable wingman, DJ E-Z Rock, has hyped upwardly countless arenas, nightclubs and pool parties the world over. Its instantly recognizable sample of Lyn Collins' 'Retrieve (About It)' inevitably gets the crowd bouncing and shouting, 'Woo! Yeah!' in unison. Yet it's the vocal'southward, um, baser innuendos that elevator information technology to the next stratosphere of party-playlist immortality. Considering when you stride off the trip the light fantastic floor and brainstorm your approach toward that honey you lot've had your eye on all night, you'll be mighty glad that the object of your affection is still breathlessly humming the refrain, 'It takes ii to brand a matter go correct / Information technology takes two to make it out of sight.' Hit it!
67. 'Northward**gas in Paris' past Jay Z & Kanye Due west
Pusha T rejecting this massive Hitboy-produced beat might have been for the best (co-ordinate to him it sounds like a video game) because the star power from the respective husbands of Kim and Bey turned the guaranteed banger into a veritable club canticle. And information technology's get a necessary party bonding activity, besides: trashed guests inevitably screaming "that shit cray!" at each other and somehow still mustering riotous laughter in response to that 1 Will Ferrell Blades of Celebrity sample (did anyone actually watch that movie?).
68. 'Rump Shaker' by Wreckx-North-Event
There may be more than poetic paeans to the female posterior, but few will get those glutes moving on the trip the light fantastic floor quicker than this New Jack Swing duo's hitting nigh… well, check the championship. Credit that saxophone sample lifted from the Lafayette Afro Rock Band or the catchy chorus about wanting to 'zoom-a-zoom-zoom in your boom-boom,' just either fashion, this early-'90s ditty e'er lives up to its title.
69. 'Walk This Mode' by Run-D.Chiliad.C. with Aerosmith
However funky Steven Tyler and his Boston difficult-rock road dogs might have been during their prime, the thought that Aerosmith could fill a dance floor without passing out on it during the after-party didn't happen until Jam Master Jay, Run-D.M.C.'south slashing DJ, pulled the grooves clear off the vinyl in 1986. Information technology's a genre-busting collaboration that yet feels thrilling more than 35 years later.
70. 'What Makes You Beautiful' past One Direction
The members of I Direction may still have been fighting through their teen years when this runway was released, merely they sure knew how to go people dancing. Step aside, Aaron Carter; this banger signalled a new generation of male child bands, bigger and better than ever. Keep your fingers crossed Harry Styles slips it into the setlist on his adjacent tour.
71. 'Da Ya Think I'm Sexy?' by Rod Stewart
Borrowing a chorus from Brazilian cult star Jorge Ben Jor'southward 'Taj Mahal,' Rod Stewart struck trip the light fantastic toe-floor gold at the height of the 'Disco Sucks' era. Today, Ben Jor's still a cult hero, Stewart's nevertheless going strong, and this louche, seductive cut has long since transcended its guilty pleasure condition.
72. 'Y.M.C.A.' by the Village People
The widespread success of the Hamlet People may exist the most dramatic instance of how gay culture went mainstream in the disco era. Dolled up in costumes that camped up masculine archetypes, the quintet sang paeans to sailors, cops and macho men in lyrics advisedly crafted to laissez passer. To those in the know, 'Y.M.C.A.' was a coded celebration of cruising hot guys at a public gym. But to the rest—dancing forth to the chorus at weddings, beach resorts and sports events effectually the globe—it's just a bang-up excuse to shape your torso into letters of the alphabet.
73. 'One, Two Step' by Ciara ft. Missy Elliott
Ciara and Missy Elliott team up for this old-schoolhouse, 'Planet Stone'–inspired hip-hop melody that's perfect in its minimally produced simplicity. Its light amplification by stimulated emission of radiation stabs and handclaps echo the genre'due south electro origins without sounding like a history lesson. If only school were this much fun.
74. 'What I Similar Near You' by the Romantics
Less a conventional dance blast than a fizzy outburst of all-American garage stone straight out of the Motor Urban center, 'What I Like About You' has the kind of no-brainer verse, sing-along chorus, bratty attitude and no-nonsense backbeat (courtesy of singing drummer Jimmy Marinos) that makes resistance futile.
75. 'Whip It' past Devo
Akin to Poindexter and Booger throwing a better shindig than the jocks in Revenge of the Nerds, Devo whipped out a full, hot party on this classic synth blast from 1980. The video became an instant piece of popular-civilisation history as the band donned its trademark red energy domes and cofounder Marking Mothersbaugh snapped women'due south wearing apparel off with a whip in a country reminiscent of the group's native Ohio. Take that, Ogre and Stan.
76. 'Directly Up' by Paula Abdul
Get out information technology to Abdul—a well-known choreographer before she began her singing career—to know what makes a perfect dance-political party melody. Pulsating beat, cheque; funky bassline, bank check; earworm chorus, cheque and bank check. (Oh, oh, oh!)
77. 'Dearest Shack' by the B-52's
Later a decade that saw the beehive-topped party band enshrined in the college-rock pantheon—and dealt the group a crippling blow with the death of beloved guitarist Ricky Wilson—the B-52s roared back to their career peak with this ode to a 'little place where nosotros can get together.' Tin roof, rusted—what does it mean? Don't bother: This Chrysler's every bit big equally a whale and it's near to prepare canvas.
78. 'Don't Y'all Want Me' by the Man League
The Human League's groundbreaking 1981 album 'Dare' helped usher in the age of electropop—and the rails almost responsible for that paradigm shift was 'Don't You lot Want Me'. Just despite the song'due south obvious pleasures—its sauropod-size synth riffs and the chorus'due south devastatingly effective vocal hook amid them—it'southward a fleck strange that "Don't You lot Want Me" has become one of the world's most played party tunes: Lyrically, it'due south the rather depressing tale of a gal who'southward outgrown a guy, and a guy who implies (somewhat disturbingly) that something bad will happen if the gal doesn't come back. Probably best to gloss over the lyrics and enjoy that enormous chorus.
79. 'Rio' by Duran Duran
The band described itself as Chic meets the Sex Pistols, only its bouncy sound was all its own: skittering pulsate beats, aqua-blue synth burbles and a galloping bassline courtesy of king pinup John Taylor. Less a piece of '80s cheese than a performance fourth dimension machine to that decade, this song volition add together gel to your pilus, shades to your eyes and a sandy beach beneath your feet.
80. 'Tell Information technology to My Heart' by Taylor Dayne
The Long Island native built-in Leslie Wunderman sounds positively voracious on her 1987 signature hit. Few trip the light fantastic-pop classics experience more than urgent or fierce than 'Tell It to My Center'; you can see that Dayne'due south been waiting her whole life to belt out lines similar 'Body to body / Soul to soul / E'er experience you virtually.' The lyrics might read like bad student poetry, but blend them with unabashedly hammy '80s synths and a so-passionate-information technology's-a-little-scary commitment, and the result is a sonic Roman candle, blasting fireballs of fun onto the dance floor.
81. 'Center of Glass' past Blondie
"'Heart of Drinking glass' was ane of the first songs Blondie wrote," Debbie Harry has been quoted equally saying, "but it was years before nosotros recorded it properly. We'd tried it as a ballad, as reggae, but it never quite worked." Every bit a auto-tooled disco ode to lost honey, featuring crystalline synths, a throbbing rhythm department and, floating above it all, Harry's icy-cool teen-dream vocals, the 1978 cut more than than worked—it slayed. And information technology still does.
82. 'Last Nite' by the Strokes
They may have thrown us off the olfactory property with their greaseballs-in-leather-jackets shtick, only one of the Strokes' greatest achievements was reminding the globe that rock & roll originally functioned equally trip the light fantastic toe music. Few gimmicky songs brand united states yearn for the days of the sock hop more the single that catapulted these hometown faves into the big time. Nitpick re: the 'American Girl' similarities all you lot want, merely the combination of Julian'due south disaffected yowl, Albert and Nick'south chirpy chords, Nikolai's humble throb and Fab's unflappable bounciness even so carries a rare boot-scootin' charge.
83. 'Tainted Dear' by Soft Jail cell
Early '80s synth-popular rules – fact. Soft Cell, a U.K. duo comprising vocaliser Marc Almond and beatsmith Dave Brawl, also rule – check out their greatest hits on Spotify for proof. 'Tainted Love', their indelible update of an old Gloria Jones melody, notwithstanding slaps more than 40 years after it was released – fact. Birthday now: 'Accept my tears and that'due south not nearly aaaaaalll.'
84. 'Accept Me Out' by Franz Ferdinand
The stomping drumbeats and athwart guitars of Franz Ferdinand'south starting time hit drew comparisons to postpunk forebears like Gang of Four or Wire. But the Scottish revivalists have a much poppier sensibility, and this 2004 runway is a hook-laden toe tapper, sure to entice fifty-fifty your snootiest 'I don't dance' friend onto the trip the light fantastic toe floor.
85. 'Vocal 2' by Mistiness
Britpop's foremost ambassadors changed their tune—quite literally—with their cocky-titled 1997 LP, embracing the crunchy guitars and lo-fi ethos of American grunge and indie stone that frontman Damon Albarn had in one case railed against. Unsurprisingly, it led to the band's biggest U.South. hit: 'Song 2', a catchy, two-minute blast of Nirvana-esque riffs that became ubiquitous at stadiums and parties across the globe. (Merely delight, don't refer to information technology equally 'the woo-hoo song', nosotros beg of you.)
86. 'Dancing in the Nighttime' by Bruce Springsteen
The only thing meliorate than watching the video to this 1984 anthem—yes, starring a very dewy Courteney Cox—is dancing to the song yourself, every bit you lot chugalug out the lyrics with all the passion y'all can muster: 'I own't nothin' but tired / Man, I'k just tired and bored with myself!' 'Dancing in the Dark' is likewise i of the Boss's sexiest moments. 'Hey in that location baby,' he sighs. "I could apply just a little help." Actress points to anyone who knows what that volume is that Springsteen's sittin' around trying to write.
87. 'Modern Love' by David Bowie
Before Nile Rodgers was bopping around with Daft Punk on 'Become Lucky', he was co-producing this gem from David Bowie's 1983 album 'Allow'due south Trip the light fantastic'. In that location's a serious propulsion to this song, which makes it one of Bowie's most undeniable crowd-pleasers. The dandy mean opens the melody with a iconic spoken-word bit before hitting his unmistakable high notes and singing of the concept at hand: 'Terrifies me / Makes me party / Puts my trust in God and man.' Well said, David, well said.
88. 'Girls Just Desire To Take Fun' by Cyndi Lauper
Weirdly enough, 'Girls Just Want to Take Fun' was originally written by a dude, Robert Hazard, and sung from the perspective of a daughter-crazy badboy. Cyndi Lauper revised the lyrics and re-recorded the vocal in 1983, inverting it into a girl-solidarity party anthem that remains timeless some 30 years later.
89. 'Brutal in Honey with a Girl' by the White Stripes
Jack and Meg White'south 2002 hit was the kickoff indicator that the Stripes were capable of a more than polished, radio-friendly version of the raw garage-punk they'd previously perfected. (The ridiculously cool, LEGO-filled video, directed by Michel Gondry, surely helped propel its popularity.) Put this on at a party at present and sentinel as everyone effectually yous immediately begins to pogo.
90. 'Smells Like Teen Spirit' by Nirvana
The song that defined an era makes almost statements about it seem trite. Those echoing opening chords became as familiar to the MTV generation equally Pogs and Hypercolor—with a tad more than shelf life. Every bit far as partying goes, what's in a name? 'Teen Spirit' is all about anger and angst. (Kurt Cobain was only 24 at the fourth dimension of the vocal'southward release; he had a pretty good grasp on youthful malaise.) When yous pop this one on at a bash, have a cue from the bros in the video's gym audience: Bang your head.
91. 'Don't Start Now' past Dua Lipa
Dua Lipa claimed a space on the pop A-listing with her superb 2022 album 'Hereafter Nostalgia', a stylish collection of bangers that lived up to its elastic title concept. 'Don't Start Now', the album's lead single, is a defiant breakup vocal par excellence: all sass, mental attitude, and the irresistible sound of your confidence re-building. If it doesn't tempt your near reluctant friend onto the dancefloor, nothing will.
92. 'Happy' by Pharrell
Know what'south and so great about this song? The fact that it's defended to simply being happy—information technology's non well-nigh finding bliss because of a specific reason—though, hey, if you just got the job, kissed the daughter, canoed the Hudson, whatever, then that's awesome. Pharrell is celebrating joy for the sake of joy on this 2013 global chartbuster. 'Clap along if you feel like happiness is the truth,' he croons in a way that makes doing annihilation else seem completely ridiculous. So go ahead. Shake what y'all got. Plough that frown upside down. And relish every delicious motility yous make on the trip the light fantastic toe flooring.
93. 'Blinding Lights' by The Weeknd
Too many '80s-inspired songs fall into the trap of sounding like a weak pastiche. This euphoric 2022 endeavour from The Weeknd is very much an exception to the dominion.Co-written with Swedish songwriting genius Max Martin, its synthy shimmer manages to feel retro and contemporary at the same time – a tricky sweet spot to it. Ed Sheeran, who dominated 2022 with his own '80s-inspired bop 'Bad Habits,' was definitely paying attention.
94. 'Rock the Casbah' by the Clash
This funky hit from the Clash'southward 'Combat Rock' LP was an anomaly—honestly, the erstwhile punk godfathers had pumped out an even more propulsive bassline for 'The Magnificent 7' on its previous anthology, 'Sandinista!…' just nobody heard that sprawling three-LP farrago, whereas 'Rock the Casbah', with its whiff of topical exotica, was inescapable thanks to MTV.
95. 'Super Freak' by Rick James
What is a political party if not an alibi to unleash your inner freak? Rick James's 1981 hit won't simply get people on the trip the light fantastic toe flooring; information technology will take them bouncing off the walls. With i of the catchiest basslines of all time, an irresistible vocal hook ('She's a very freaky girl') and killer backup vocals from the Temptations, "Super Freak" will have the unabridged party on the ground trying to break-trip the light fantastic toe in no time.
96. 'All Nighttime Long' past Lionel Richie
The Commodores singer with the phonation as smooth as an eel in oil released 'All Night Long' in 1983, and it all the same sounds perfectly crisp. Watch Richie'southward face light up in the video as he sings, 'Fiesta, forever', and you lot'll know exactly what to do. He'southward known for being one of the nicest men in pop, and on this song his natural warmth and effervescence are utterly infectious.
97. 'Got to Give Information technology Up' by Marvin Gaye
A boisterous, presumably bong-bottomed crowd, gyrating on the dance floor of your imagination, tin can be heard high in the mix. Have their whoops as your cue: Marvin Gaye supplies the cool falsetto and someone can be heard rocking the cowbell, just the prime directive hither is to dance. When Paul Thomas Anderson needed a backdrop for Dirk Diggler's glory days in Boogie Nights, this is what he chose.
98. 'Pon De Floor' by Major Lazer
When 'Pon De Floor' first dropped, Major Lazer withal consisted of both Diplo and Switch—the latter dance-commander compatriot soon dipped out to focus on his solo stylings. On his ain, Diplo's done pretty well (in 2015, Spotify appear 'Lean On' as its most played track ever) but the newly pop-ified bent he's taken with the projection just tin can't lucifer its dancehall-centered, trip the light fantastic-floor-shattering origins.
99. 'Lifestyle' by Rich Gang
Despite being a rambunctious party tune, Rich Gang's celebratory ode to well-earned fame ('I did a lot of shit just to alive this here lifestyle') coasts along lightly on a sparse beat of relaxed piano chords and sub-bass. The collected absurd of it all even so—and even if you've made little headway deciphering the actual lyrics to Thugger's grumble-rap chorus—it's difficult to resist screaming along when you're wasted.
100. 'Maneater' by Hall & Oates
A No. i hit in 1982 for the genre-angle Philadelphia 'rock & soul' duo Hall & Oates, 'Maneater' offers a alarm against a predatory femme fatale, set confronting a vaguely new wave and faintly ominous landscape of saxophone, drums and synthesizer. (The music video features multiple shots of a jaguar on the prowl.) Put the song on a party mix and there'due south a good chance that at least one person in attendance will start vamping it upwards like they're on RuPaul'due south Drag Race.
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Source: https://www.timeout.com/music/best-party-songs
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